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Our original SLog article ([a|fs700slog8bit]) created some discussion around the results, with quite a few believing that the camera is capable of more than we showed. Just to reiertate here, we showed a very conservative and useful range. The point ...
This is a very short post to cover a few points about using the new Red Pipeline footage (IPP2) in Premiere Pro CC. The approach here is one of many and i’m not sure if it’s even the best way to go about this, but right now it works and i’ll try to e...
LUTs have been seen as the holy grail and the very embodiment of the devil itself. The truth, as always, is somewhere in between. This post will attempt to show you what a LUT does and when it doesn’t do it very well.Lets define a few terms before we...
I happened upon these little lights and out of curiosity ordered a couple. There are a number of small battery powered LED lights out there now, at a variety of price points. My go to light is an Area 48, which is stunning light in terms of quality, ...
This has been my favourite light since i got it at the beginning of the year (actually last year now, how time flies). Review done.Okay, a bit more. I’ve always had an issue with most of the LED lights out there at the moment. They’ve never seemed ‘r...
We’ve a bunch of exterior shoots coming up and i’ve been seriously considering the A7s over the FS700 because if it’s size and the fact that it can be rigged and gimballed easily. Last article we looked at issues of resolution and increasing colour d...
As part of the plan for our feature we chose to invest in the Nuke compositor as well as use the Adobe suite. There are a number of reasons why and also before I get too used to Nuke i though it might be useful to jot down some experiences and assump...
The new firmware v3 for the FS700 gave us 4K RAW but it also gives the standard camera some new curves to record with, these are SLog2 and 800%REC709. Sonys reason for adding them is primarily to help with monitoring RAW recording on the LCD, the SLo...